新加坡留学申请书
在人们物质精神需求不断增长的今天，需要使用申请的场合越来越多，申请书是承载我们愿望和请求的专用书信。那么申请书应该怎么写才合适呢？下面是小编为大家收集的新加坡留学申请书，仅供参考，大家一起来看看吧。
新加坡留学申请书1
1、留学申请人在书写留学文书的时候一定要说明留学动机。例如为什么会想到留学、为什么选择新加坡留学以及为什么选择这个学校专业之类的，而对于文书的篇幅则要格外注意，不要出现流水账，要尽量地简单明了，让学校与审核官都能清楚地了解申请人的意愿。
2、新加坡留学申请文书上要有侧重点。以自身的优点或是优势来突出自己，让新加坡留学目标院校的招生官觉得你与众不同，而且对于自己的留学规划也要简单描述，以证明自己是真心想去留学的。
3、避免不实吹捧以及“英国式低调”。留学申请个人自述中最常见的错误就是把简历或个人历史重述一遍，没有反思、评价和自我批评。还有一些人不愿意讲自己，我们把这种情况叫作“英国式低调。”
这并不一定是一个错误。事实上，在阅读了无数自我吹捧（这是另一个陷阱）的文章后，这种文章倒让人耳目一新。但是，如果申请人说得太少，也会令我们无从得知他这样做是出于谦逊呢？还是因为拙于表达，或者他没有想到这篇文章对我们的重要性。
4、在整体和简洁之间做到令人愉快的折衷。建议不要把草稿寄过来。文章写完后要再看两遍。尽量做到清楚、准确，但也不要因为篇幅的限制妨碍文章的完整。在整体和简洁之间可以做到令人愉快的折衷。
5、坦白具有风险，不必掩饰对未来的不确定性。诚实和坦白是优秀留学申请个人自述的标准。诚实地表示出你对未来的不确定要比装作什么都知道好得多，另一方面，模棱两可并不是一个好品质。
新加坡留学申请文书最终要达到的目的其实很简单，就是要说明和突出申请者自身的能力和特点，让目标院校的招生官看到你的不同和优秀，要让他们产生一种“你正是他们在寻找的那种学生”的感觉。
为什么你写的申请书这么苍白？
1、开篇为什么非要引用名言？
招生负责人说：学生写的就像是英语课堂作文，他们总想以宏大的视角开始，然后再进入主题。但是对于大学申请来说，这样会适得其反。开头必须非常的个人，因为招生官听到的第一句话必须是出自你之口。
假如说你就是为了莎士比亚的名言而活，那你和别人分享他的智慧和名言无可厚非。但是对于大学申请来说，招生官并不是想要听到你介绍你喜欢的名人或者名言，招生官想要认识和了解的.是你，毕竟名人或者名言他们或许比你还熟悉。
但是如果你觉得你写的内容和某名言非常的切合，你可以稍微引用一下短语，但不要生硬的放上去，将名言和个人经历结合起来才能发挥名言的效果。
2、明明是你的志愿经历，可为什么你写出来却像是抄袭的？
很多同学都在写去南非等地方做过志愿者，度过了美好的时光、交到了很多的朋友，收获了很多东西等等，招生官相信这是真的，但是写这些东西你是为了说明什么呢？你写的这些东西，招生官在成千上万的申请书里面都看到过。这样的文书根本就没有吸引力，你让招生官如何从众多的申请书里面把你的挑出来？
3、为什么你文书上的东西多过你真实经历的东西？
任何人都是一样的，不要去写自己并不熟悉的东西，因为这样会容易露陷。如果你并没有参加过很多志愿活动，你没有进行过某项科研经历，不是学校的风云人物，那就请不要去假装自己是一个大人物。因为这种不诚实的表现一旦被揭露，你被高校拒绝的纪律又会上升！
4、你不是琼瑶，为什么要演绎琼瑶式悲情戏？
每个人都面对过死亡，不管是身边的喜欢的小动物，或者是隔壁哥哥家的亲戚。死亡对每个人都会有很大的触动，尤其是第一次面对死亡的时候。但是这不应该是你文章的基调，悲情文章的最后不应该得出人生的意义和死亡的真谛，而是你的反省，或者如何才能左右你的人生轨迹。
5、为什么你的申请文书会显得苍白无力？
聪明的学生都知道，如果你想要申请一个学校，就应该对学校有所了解。招生负责人说：如果你问他们为什么选择这所学校？他们会回答说以为学校很好啊！这样的回答招生官完全没有兴趣，学校好不好，招生官比你知道！
在写申请书之前，要先充分的了解申请学校，学校有多少学生，有什么专业，有你喜欢的社团等等。
6、拜托，为什么我从你的文书中看到了错误？
我告诉你什么文章是最容易被判死刑的！就是那些没有检查第二遍的！及时你是一个文字高手，你也有必要让别人读一遍你的文章，为你检查最基本的拼写错误和语法错误。我帮学生检查文章的时候都会非常的认真，因为有可能还会发现一些以前没有注意到的错误。
新加坡留学申请书2
1、留学申请人在书写留学文书的时候一定要说明留学动机，例如学生为什么会想到留学、为什么选择新加坡留学以及为什么选择这个学校专业之类的，而对于文书的篇幅要格外注意，不要出现流水账，要尽量的简单明了，让学校与审核官都能清楚的了解申请人的意愿。
2、新加坡留学申请文书上要有侧重点，以自身的优点或是优势来突出自己，让新加坡留学目标院校的招生官觉得你与众不同，而且对于自己的留学规划也要简单描述来证明自己知识真心留学的。
3、新加坡留学申请人所写的留学计划书，内容为留学生在赴新加坡后所要进入的学校、学习的课程种类和毕业后的职业规划，申请书应使用中文，其内容要详尽。
4、避免不实吹捧以及“英国式低调”。留学申请个人自述中最常见的错误就是把简历或个人历史重述一遍，没有反思、评价和自我批评。还有一些人不愿意讲自己，我们把这种情况叫作“英国式低调。”
这并不一定是一个错误。事实上，在阅读了无数自我吹捧(这是另一个陷阱)的文章后，这种文章倒让人耳目一新。但是，如果申请人说得太少，也会令我们无从得知他这样做是出于谦逊呢?还是因为拙于表达，或者他没有想到这篇文章对我们的重要性。
5、在整体和简洁之间做到令人愉快的折中。建议不要把草稿寄过来。文章写完后要再看两遍。尽量做到清楚、准确，但也不要因为篇幅的限制妨碍文章的完整。在整体和简洁之间可以做到令人愉快的折衷。
6、坦白具有风险，不必掩饰对未来的不确定性，诚实和坦白是优秀留学申请个人自述的标准。诚实地表示出你对未来的不确定要比装作什么都知道好得多，另一方面，模棱两可并不是一个好品质。
新加坡留学申请文书最终要达到的目的其实很简单，就是要说明和突出申请者自身的能力和特点，让目标院校的招生官看到你的不同和优秀，要让他们产生一种“你正是他们在寻找的那种学生”的感觉。
新加坡留学申请书3
I was the only sixteen-year-old in my first university classroom. It was oneof those defining moments where I was painfully aware of how different I wasfrom the people around me. I had not yet graduated from high school, and yetthere I sat in a class on personal and social adjustment, feeling an oddcombination of excitement and anxiety. I distinctly recall my heart pounding andmy irrational fear that, at any moment, someone would inform me that I did notbelong there. I was considered an oddity at my high school as the only studentin the history of the school to attend secondary and postsecondary institutionssimultaneously as a fulltime student. I was reminded of the fact not throughvast support from my school's faculty, but through blatant vocaldiscouragement.
In an environment where a large majority of residents live below the povertylevel, it must have seemed strange that I would attend university early insteadof applying for employment. The initial hardships of my first year in collegedid anything but deter me from wanting to study anthropology. Indeed, theadversity I experienced only succeeded in intensifying it. My high schoolclasses were rather cold and clinical in their teachings, maintaining a firmadherence to stating and memorizing facts with little or no attempt to havestudents engage with the material. My interest in culture and my naturalresponse to analyze, question, and participate was stifled behind statestandards. In contrast, my fascination with culture was able to proliferate inpostsecondary schooling as a result of a liberal arts education and my ownproposed course of study.
My early education in anthropology started with a historical glance atcultural theory through works of influential pioneers like Malinowski and Mead.I became fascinated by the theoretical framework involved in culturalexploration, especially how cultural beliefs and values play a role in the everyday lives of individuals. During a class on ritual and spectacle, I droveheadlong and enthusiastically into ideas of ritual importance and its impact onsocieties. The subjects ranged from the roles of wedding rites to funerals, andI analyzed certain ceremonies and assessed the meaning of their variouscomponents. Another class taught by the same professor took ritual metaphor andapplied it to narrative. The course addressed European stories from ananalytical perspective, and I examined well-known folktales to yield theirritual symbology. I found myself impassioned by the idea of exploring beyond thesuperficial guise of narrative and seeing it as a meaningful way of expressing asociety's basic beliefs and ideologies. Immersing myself in the works of otherinspiring anthropologists, I examined texts on narrative form and nature, ritualmetaphor and the importance of storytelling in culture.
My interest in storytelling resulted in the subject of my undergraduatethesis. I decided to focus on American narration, specifically concentrating onexpressions of masculinity in men's magazines. It discussed dialogue inmagazines as well as in teen male group settings, focusing on theconceptualization and presentation of gender in both circumstances. Myoverarching approach examined how masculine identity in the media has evolvedover the last century. I further presented how manly behavior was glamorized inthe text from three contemporary men's magazines, and juxtaposed it with anethnographic work about how young men communicate and assert their genderroles.
My thesis topic is slightly removed from what I would like to study ingraduate school, but the process familiarized me with the prerequisites requiredfor social research. These included a delay in progress by routine realities,such as gaining IRB approval to interview and observe minors, as well as beingforced to dig through the vast sea of material on women's magazines just toyield the limited data done on men's publications. The college that I attendedalso emphasized the importance of organizing one's own curriculum during juniorand senior years. It was an unrestricted program in which the student consultswith sponsors and plans his or her own course of study. This program approachedthe undergraduate thesis with the same level of intensity and professionalism asa graduate dissertation.
For my thesis, I assessed my topic and its requirements, efficiently planningmy eventual course of study. I organized tutorials with my sponsors andestablished necessary reading lists that would contribute to my progress.Tutorial discussions allowed me to gain a broad scope of the research processand solidify my thesis into working theoretical, cultural and ethnographicpapers. I earned permission to conduct fieldwork at a local Boys and Girl'sclub, and was approved to interview and observe the interaction between teenagemales at the club. For six months, I listened to the things they considered tobe important aspects of masculinity and used my time there as one example ofteenage suburban expression of larger societal gender roles. I was able tofurther gain a taste of the graduate dissertation process when I successfullydefended my undergraduate thesis during an oral presentation to my sponsors andan outside examiner.
The liberal arts education I received has given me the means to approachsocial anthropology in a perceptive manner and to consider the variousintricacies that influence and shape certain aspects of culture. These wereabilities that grew and thrived in an educational environment that allowed me tothink critically about topics in anthropology and choose my own course of study.I emerged from college not with textbook facts floating around in my psyche, butwith questions, thoughts and theories. I believe it is my undergraduate liberalarts background that provides me with an aberrant and perceptive approach tocultural anthropology.
During my hiatus between undergraduate and graduate education, I was able tostep back from the research that captivated me for two years in order toreevaluate my goals in anthropology. While my break did not include leavingschool for an extended period, I used the time to once again study broadly inthe social sciences. By taking courses in psychology and other areas ofanthropology separate from my undergraduate focus, I challenged myself furtherthrough exposure to different material and contrasting teaching styles, therebygaining an educated and informed understanding of my intended course of studyfor graduate school. My extensive consideration of anthropology and thecombination of both my undergraduate and post-baccalaureate education has givenme the means to approach graduate school in a thoughtful and perceptive manner.Additionally, this hiatus gave me the ability to devote necessary attention tochoosing graduate schools that will both challenge my views of cultural identityand allow me to excel in anthropology.
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